I found myself forcing myself to confront people and hold my own. I read the script first and then I met Angela and then I saw the short. But you are one of the only ones who has observed that. Then it became real to me and that was how I sort of played her. I think escapism is really important. With Amy, I wanted to play her because she was much closer to me, so it was a safety thing—it just felt better. It was weird because it also forced you to be more professional; my friends were going to beer parties and I would have to be up at 6 AM. For this genre it should be a hundred percent entertainment, which is what it is. What got you interested in acting in the first place? What was it about that role that appealed to you at first and what finally convinced you that you could do the part of Lucy? So, yeah, I can relate to that. If there were none to speak of, feel free to make some up right here. I would have done it anyway, because I really liked Angela and I loved the script. You feel like you would, I guess, during the infatuation stage. I just wanted to make sure the love scene was a little less graphic smiles in the film, which it was, as Angela assured me it would be since she was going for a PG13 rating.
I tried out and I got a soap opera and that was the best training ever. It is bubblegum and mainstream and while you go into it expecting one thing, there is that other element there. With Amy, I wanted to play her because she was much closer to me, so it was a safety thing—it just felt better. In the film, she plays super-villain Lucy Diamond, who finds herself distracted from her plans for world domination when she becomes attracted to Amy Sara Foster , one of the very D. The drama has always been more with the guys. It is like trying to sneeze without blinking. It is usually really intimidating and you usually have to avert your eyes constantly and stay in your own little world. Did that have any effect on your taking a role in the feature-length version? What was that experience like? I think that with the way that it is dealt with, you just sort of accept it. The other way that she described her was being like the guys that take you out and then break your heart—uber-confident and with lots of tricks up their sleeves. It was weird because it also forced you to be more professional; my friends were going to beer parties and I would have to be up at 6 AM. It is a weird sort of paradox because you get to escape yourself in a great way and turn off all the stuff that is going on with you and your insecurities. I felt like I would rather play the shy, docile girl but Angela told me that I had to be Lucy. I was kind of annoyed by that and so I thought that I would do it before I went to college instead of the traditional way of going to college and then going to Los Angeles. What was it like for you to do the more action-oriented scenes in the film? My character was described by Angela Robinson, the writer-director as a super-villainess with a heart of gold. A Talk With Jordana Brewster: I read the script first and then I met Angela and then I saw the short. What was it about that role that appealed to you at first and what finally convinced you that you could do the part of Lucy? Then it became real to me and that was how I sort of played her. I had to be less low-key and a lot more extroverted. Were there any particular films or performers that you saw growing up that you particularly responded to? I had seen it before we started shooting. That was the most petrifying thing for me, though, because I think that drama is the safer thing to do. I would have done it anyway, because I really liked Angela and I loved the script.
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